The Jefferson Bible: The Life and Morals of Jesus of Nazareth

In a letter to his daughter, written in 1803, Thomas Jefferson said: “A promise made to a friend some years ago, but executed only lately, has placed my religious creed on paper. I have thought it just that my family, by possessing this, should be enabled to estimate the libels published against me on this, as on every other possible subject.” The “religious creed” to which he referred was a comparison of the doctrines of Jesus with those of others, prepared in fulfillment of a promise made to Dr. Benjamin Rush. This paper, with the letter to Dr. Rush which accompanied it, is a fit introduction to the “Jefferson Bible.”

Washington, April 21, 1803:

Dear Sir: In some of the delightful conversations with you, in the evenings of 1798-99, and which served as an anodyne to the afflictions of the crisis through which our country was then laboring, the Christian religion was sometimes our topic; and I then promised you that one day or other, I would give you my views of it. They are the result of a life of inquiry and reflection, and very different from that Anti-Christian system imputed to me by those who know nothing of my opinions. To the corruptions of Christianity I am indeed opposed; but not to the genuine precepts of Jesus himself. I am a Christian in the only sense in which he wished any one to be; sincerely attached to his doctrines, in preference to all others; ascribing to himself every human excellence, and believing he never claimed any other.

At the short intervals since these conversations, when I could justifiably abstract my mind from public affairs, this subject has been under my contemplation; but the more I considered it, the more it expanded beyond the measure of either my time or information. In the moment of my late departure from Monticello, I received from Dr. Priestly his little treatise of “Socrates and Jesus Compared.” This being a section of the general view I had taken of the field, it became a subject of reflection while on the road, and unoccupied otherwise. The result was to arrange in my mind a syllabus, or outline, of such an estimate of the comparative merits of Christianity, as I wished to see executed by some one of more leisure and information for the task than myself. This I now send you, as the only discharge of my promise I can probably ever execute. And in confiding it to you, I know it will not be exposed to the malignant perversions of those who make every word from me a text for new misrepresentations and calumnies.

I am moreover averse to the communication of my religious tenets to the public; because it would countenance the presumption of those who have endeavored to draw them before that tribunal, and to seduce public opinion to erect itself into that inquisition over the rights of conscience which the laws have so justly proscribed. It behooves every man who values liberty of conscience for himself to resist invasions of it in the case of others, or their case may, by change of circumstances, become his own. It behooves him, too, in his own case, to give no example of concession, betraying the right of independent opinion by answering questions of faith, which the laws have left between God and himself.

Accept my affectionate salutations.

Syllabus of an Estimate of the Doctrines of Jesus, Compared with Those of Others

In a comparative view of the ethics of the enlightened nations of antiquity, of the Jews, and of Jesus, no notice should be taken of the corruptions of reason among the ancients, to wit, the idolatry and superstition of the vulgar, nor of the corruptions of Christianity by the learned among its professors. Let a just view be taken of the moral principles inculcated by the most esteemed of the sects of ancient philosophy, or of their individuals; particularly Pythagoras, Socrates, Epicurus, Cicero, Epictetus, Seneca, Antoninus.

I. PHILOSOPHERS

  1. Their precepts related chiefly to ourselves, and the government of those passions which, unrestrained, would disturb our tranquility of mind. In this branch of philosophy they were really great.
  2. In developing our duties to others, they were short and defective. They embraced indeed the circles of kindred and friends, and inculcated patriotism, or the love of country in the aggregate, as a primary obligation: towards our neighbors and countrymen they taught justice, but scarcely viewed them as within the circle of benevolence. Still less have they inculcated peace, charity, and love to our fellow-men, or embraced with benevolence the whole family of mankind.

II. JEWS

  1. Their system was Deism, that is, the belief in one only God; but their ideas of him and of his attributes were degrading and injurious.
  2. Their ethics were not only imperfect, but often irreconcilable with the sound dictates of reason and morality, as they respect intercourse with those around us; and repulsive and anti-social as respecting other nations. They needed reformation, therefore, in an eminent degree.

III. JESUS

In this state of things among the Jews, Jesus appeared. His parentage was obscure; his condition poor; his education null; his natural endowments great; his life correct and innocent. He was meek, benevolent, patient, firm, disinterested, and of the sublimest eloquence. The disadvantages under which his doctrines appear are remarkable.

  1. Like Socrates and Epictetus, he wrote nothing himself.
  2. But he had not, like them, a Xenophon or an Arrian to write for him. I name not Plato, who only used the name of Socrates to cover the whimsies of his own brain. On the contrary, all the learned of his country, entrenched in its power and riches, were opposed to him, lest his labors should undermine their advantages; and the committing to writing of his life and doctrines fell on unlettered and ignorant men; who wrote, too, from memory, and not till long after the transactions had passed.
  3. According to the ordinary fate of those who attempt to enlighten and reform mankind, he fell an early victim to the jealousy and combination of the altar and the throne, at about 33 years of age, his reason having not yet attained the maximum of its energy, nor the course of his preaching, which was but of three years at most, presented occasions for developing a complete system of morals.
  4. Hence the doctrines which he really delivered were defective, as a whole, and fragments only of what he did deliver have come to us mutilated, misstated, and often unintelligible.
  5. They have been still more disfigured by the corruptions of schismatizing followers, who have found an interest in sophisticating and perverting the simple doctrines he taught, by engrafting on them the mysticisms of a Grecian Sophist (Plato), frittering them into subtilties and obscuring them with jargon, until they have caused good men to reject the whole in disgust, and to view Jesus himself as an impostor.

Notwithstanding these disadvantages, a system of morals is presented to us which, if filled up in the true style and spirit of the rich fragments he left us, would be the most perfect and sublime that has ever been taught by man. The question of his being a member of the Godhead, or in direct communication with it, claimed for him by some of his followers, and denied by others, is foreign to the present view, which is merely an estimate of the intrinsic merits of his doctrines.

  1. He corrected the Deism of the Jews, confirming them in their belief of one only god, and giving them juster notions of his attributes and government.
  2. His moral doctrines, relating to kindred and friends, were more pure and perfect than those of the most correct of the philosophers, and greatly more so than those of the Jews; and they went far beyond both in inculcating universal philanthropy, not only to kindred and friends, to neighbors and countrymen, but to all mankind, gathering all into one family, under the bonds of love, charity, peace, common wants and common aids. A development of this head will evince the peculiar superiority of the system of Jesus over all others.
  3. The precepts of philosophy and of the Hebrew code laid hold of action only. He pushed his scrutinies into the heart of man; erected his tribunal in the region of his thought, and purified the waters at the fountain head.
  4. He taught emphatically the doctrine of a future state, which was either doubted or disbelieved by the Jews; and wielded it with efficacy as an important incentive, supplementary to the other motives to moral conduct.

I, too, have made a wee-little book from the same materials (The Gospels) which I call the Philosophy of Jesus. It is a paradigma of his doctrines, made by cutting the texts out of the book and arranging them on the pages of a blank book, in a certain order of time or subject. A more beautiful or precious morsel of ethics I have never seen. It is a document in proof that I am a real Christian, that is to say, a disciple of the doctrines of Jesus, very different from the Platonists, who call me infidel and themselves Christians and preachers of the Gospel, while they draw all their characteristic dogmas from what its author never said nor saw. They have compounded from the heathen mysteries a system beyond the comprehension of man, of which the great reformer of the vicious ethics and deism of the Jews, were he to return on earth, would not recognize one feature.

– Jefferson to Mr. Charles Thompson


“Say nothing of my religion. It is known to my God and myself alone. Its evidence before the world is to be sought in my life; if that has been honest and dutiful to society, the religion which has regulated it cannot be a bad one.”

– Thomas Jefferson

Full Text of the Jefferson Bible (PDF)

Philosophers in the Midst of History

This excellent series by Professor Gregory B. Sadler helps put some major thinkers in the Western tradition into historical context. Context is key when attempting to properly interpret a writer’s intentions, motives, influences, and thought processes.

These are video recordings from sessions in a quarterly lecture/discussion series, hosted by the Frank Weyenberg Library. Each of these talks takes a philosopher and places him or her within the historical context informing his or her work and life.

Videos in this series include:

  • Aristotle, Athens, and Alexander the Great
  • Anselm of Canterbury, the Church, and the Normans
  • Rene Descartes, Early Modernity, and the Wars of Religion
  • Hannah Arendt, Totalitarianism, and the Holocaust
  • Plato, Athenian Democracy, and the Greek Enlightenment
  • Boethius, King Theodoric, and the Middle Ages
  • Thomas Hobbes, English Civil War, and Modern Political Theory
  • Nietzsche, the Apex of the West, and the Threat of Nihilism
  • Cicero, Greek Philosophy, and the Fall of the Roman Church
  • Augustine of Hippo, Struggles in the Church, and Rome’s Fall
  • John Locke, Absolute Monarchy, and Constitutional Government
  • Albert Camus, Absurd World, Resistance to Evil
  • Epictetus, Slavery, Stoicism, and the Roman Empire
  • Thomas Aquinas, Mendicant Orders, and High Middle Ages
  • J-J Rousseau, Barbarism, Civilization, and Revolutions

The video series is ongoing, so expect more to come in the future!


After a decade in traditional academic positions, Dr. Sadler started ReasonIO and began doing philosophical work in more practical contexts. He is an APPA-certified philosophical counselor, a public speaker, an author, an ethics trainer, and an executive coach (among other things!). He is also the editor of Stoicism Today and the producer of the Half Hour Hegel series.

Want to support this public philosophy work? Become a Patreon backer! Patreon.com/sadler

Interested in booking Dr. Sadler for a talk, interview, workshop, consultation, or tutoring? Check out ReasonIO!

Atheism has been Part of Many Asian Traditions for Millennia

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Atheism is not a modern concept.
Zoe Margolis, CC BY-NC-ND

Signe Cohen, University of Missouri-Columbia

A group of atheists and secularists recently gathered in Southern California to talk about social and political issues. This was the first of three summits planned by the Secular Coalition for America, an advocacy group based in Washington D.C.

To many, atheism – the lack of belief in a personal god or gods – may appear an entirely modern concept. After all, it would seem that it is religious traditions that have dominated the world since the beginning of recorded history.

As a scholar of Asian religions, however, I’m often struck by the prevalence of atheism and agnosticism – the view that it is impossible to know whether a god exists – in ancient Asian texts. Atheistic traditions have played a significant part in Asian cultures for millennia.

Atheism in Buddhism, Jainism

Buddhists do not believe in a creator God.
Keith Cuddeback, CC BY-NC-ND

While Buddhism is a tradition focused on spiritual liberation, it is not a theistic religion.

The Buddha himself rejected the idea of a creator god, and Buddhist philosophers have even argued that belief in an eternal god is nothing but a distraction for humans seeking enlightenment.

While Buddhism does not argue that gods don’t exist, gods are seen as completely irrelevant to those who strive for enlightenment.

Jains do not believe in a divine creator.
Gandalf’s Gallery, CC BY-NC-SA

A similar form of functional atheism can also be found in the ancient Asian religion of Jainism, a tradition that emphasizes non-violence toward all living beings, non-attachment to worldly possessions and ascetic practice. While Jains believe in an eternal soul or jiva, that can be reborn, they do not believe in a divine creator.

According to Jainism, the universe is eternal, and while gods may exist, they too must be reborn, just like humans are. The gods play no role in spiritual liberation and enlightenment; humans must find their own path to enlightenment with the help of wise human teachers.

Other Atheistic Philosophies

Around the same time when Buddhism and Jainism arose in the sixth century B.C., there was also an explicitly atheist school of thought in India called the Carvaka school. Although none of their original texts have survived, Buddhist and Hindu authors describe the Carvakas as firm atheists who believed that nothing existed beyond the material world.

To the Carvakas, there was no life after death, no soul apart from the body, no gods and no world other than this one.

Another school of thought, Ajivika, which flourished around the same time, similarly argued that gods didn’t exist, although its followers did believe in a soul and in rebirth.

The Ajivikas claimed that the fate of the soul was determined by fate alone, and not by a god, or even by free will. The Ajivikas taught that everything was made up of atoms, but that these atoms were moving and combining with each other in predestined ways.

Like the Carvaka school, the Ajivika school is today only known from texts composed by Hindus, Buddhists and Jains. It is therefore difficult to determine exactly what the Ajivikas themselves thought.

According to Buddhist texts, the Ajivikas argued that there was no distinction between good and evil and there was no such thing as sin. The school may have existed around the same time as early Buddhism, in the fifth century B.C.

Atheism in Hinduism

There are many gods in Hinduism, but there are also atheistic beliefs.
Religious Studies Unisa, CC BY-SA

While the Hindu tradition of India embraces the belief in many gods and goddesses – 330 million of them, according to some sources – there are also atheistic strands of thought found within Hinduism.

The Samkhya school of Hindu philosophy is one such example. It believes that humans can achieve liberation for themselves by freeing their own spirit from the realm of matter.

Another example is the Mimamsa school. This school also rejects the idea of a creator God. The Mimamsa philosopher Kumarila said that if a god had created the world by himself in the beginning, how could anyone else possibly confirm it? Kumarila further argued that if a merciful god had created the world, it could not have been as full of suffering as it is.

According to the 2011 census, there were approximately 2.9 million atheists in India. Atheism is still a significant cultural force in India, as well as in other Asian countries influenced by Indian religions.The Conversation

Signe Cohen, Associate Professor and Department Chair, University of Missouri-Columbia

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Was the Real Socrates more Worldly and Amorous than We Knew?

socrates-alcibiades-aspasia

Detail from Socrates Dragging Alcibiades from the Embrace of Aspasia (1785) by Jean-Baptiste Regnault. Louvre, Paris. Courtesy Wikipedia

Armand D’Angour | Aeon Ideas

Socrates is widely considered to be the founding figure of Western philosophy – a thinker whose ideas, transmitted by the extensive writings of his devoted follower Plato, have shaped thinking for more than 2,000 years. ‘For better or worse,’ wrote the Classical scholar Diskin Clay in Platonic Questions (2000), ‘Plato’s Socrates is our Socrates.’ The enduring image of Socrates that comes from Plato is of a man of humble background, little education, few means and unappealing looks, who became a brilliant and disputatious philosopher married to an argumentative woman called Xanthippe. Both Plato and Xenophon, Socrates’ other principal biographer, were born c424 BCE, so they knew Socrates (born c469 BCE) only as an old man. Keen to defend his reputation from the charges of ‘introducing new kinds of gods’ and ‘corrupting young men’ on which he was eventually brought to trial and executed, they painted a picture of Socrates in late middle age as a pious teacher and unremitting ethical thinker, a man committed to shunning bodily pleasures for higher educational purposes.

Yet this clearly idealised picture of Socrates is not the whole story, and it gives us no indication of the genesis of his ideas. Plato’s pupil Aristotle and other Ancient writers provide us with correctives to the Platonic Socrates. For instance, Aristotle’s followers Aristoxenus and Clearchus of Soli preserve biographical snippets that they might have known from their teacher. From them we learn that Socrates in his teens was intimate with a distinguished older philosopher, Archelaus; that he married more than once, the first time to an aristocratic woman called Myrto, with whom he had two sons; and that he had an affair with Aspasia of Miletus, the clever and influential woman who was later to become the partner of Pericles, a leading citizen of Athens.

If these statements are to be believed, a different Socrates emerges: that of a highly placed young Athenian, whose personal experiences within an elevated milieu inspired him to embark on a new style of philosophy that was to change the way people thought ever afterwards. But can we trust these later authors? How could writers two or more generations removed from Socrates’ own time have felt entitled to contradict Plato? One answer is that Aristotle might have derived some information from Plato in person, rather than from his writings, and passed this on to his pupils; another is that, as a member of Plato’s Academy for 20 years, Aristotle might have known that Plato had elided certain facts to defend Socrates’ reputation; a third is that the later authors had access to further sources (oral and written) other than Plato, which they considered to be reliable.

Plato’s Socrates is an eccentric. Socrates claimed to have heard voices in his head from youth, and is described as standing still in public places for long stretches of time, deep in thought. Plato notes these phenomena without comment, accepting Socrates’ own description of the voices as his ‘divine sign’, and reporting on his awe-inspiring ability to meditate for hours on end. Aristotle, the son of a doctor, took a more medical approach: he suggested that Socrates (along with other thinkers) suffered from a medical condition he calls ‘melancholy’. Recent medical investigators have agreed, speculating that Socrates’ behaviour was consistent with a medical condition known as catalepsy. Such a condition might well have made Socrates feel estranged from his peers in early life, encouraging him to embark on a different kind of lifestyle.

If the received picture of Socrates’ life and personality merits reconsid­eration, what about his thought? Aristotle makes clear in his Metaphysics that Plato misrepresented Socrates regarding the so-called Theory of Forms:

Socrates concerned himself with ethics, neglecting the natural world but seeking the universal in ethical matters, and he was the first to insist on definitions. Plato took over this doctrine, but argued that what was universal applied not to objects of sense but to entities of another kind. He thought a single description could not define things that are perceived, since such things are always changing. Unchanging entities he called ‘Forms’…

Aristotle himself had little sympathy for such otherwordly views. As a biologist and scientist, he was mainly concerned with the empirical investigation of the world. In his own writings he dismissed the Forms, replacing them with a logical account of universals and their particular instantiations. For him, Socrates was also a more down-to-earth thinker than Plato sought to depict.

Sources from late antiquity, such as the 5th-century CE Christian writers Theodoret of Cyrrhus and Cyril of Alexandria, state that Socrates was, at least as a younger man, a lover of both sexes. They corroborate occasional glimpses of an earthy Socrates in Plato’s own writings, such as in the dialogue Charmides where Socrates claims to be intensely aroused by the sight of a young man’s bare chest. However, the only partner of Socrates’ whom Plato names is Xanthippe; but since she was carrying a baby in her arms when Socrates was aged 70, it is unlikely they met more than a decade or so earlier, when Socrates was already in his 50s. Plato’s failure to mention the earlier aristocratic wife Myrto might be an attempt to minimise any perception that Socrates came from a relatively wealthy background with connections to high-ranking members of his community; it was largely because Socrates was believed to be associated with the antidemocratic aristocrats who took power in Athens that he was put on trial and executed in 399 BCE.

Aristotle’s testimony, therefore, is a valuable reminder that the picture of Socrates bequeathed by Plato should not be accepted uncritically. Above all, if Socrates at some point in his early manhood became the companion of Aspasia – a woman famous as an instructor of eloquence and relationship counsellor – it potentially changes our understanding not only of Socrates’ early life, but of the formation of his philosophical ideas. He is famous for saying: ‘All I know is that I know nothing.’ But the one thing he claims, in Plato’s Symposium, that he does know about, is love, which he learned about from a clever woman. Might that woman have been Aspasia, once his beloved companion? The real Socrates must remain elusive but, in the statements of Aristotle, Aristoxenus and Clearchus of Soli, we get intriguing glimpses of a different Socrates from the one portrayed so eloquently in Plato’s writings.

For more from Armand D’Angour and his extraordinary research bringing the music of Ancient Greece to life, see this Video and read this Idea.Aeon counter – do not remove

Armand D’Angour

This article was originally published at Aeon and has been republished under Creative Commons. Read the original article here.

Muhammad: an Anticlerical Hero of the European Enlightenment

koran-sale

Thomas Jefferson’s copy of George Sale’s 1734 translation of the Quran is used in the swearing in ceremony of US Representative Keith Ellison at the United States Capitol in Washington, DC, on 4 January 2007. Photo by Getty

John Tolan | Aeon Ideas

Publishing the Quran and making it available in translation was a dangerous enterprise in the 16th century, apt to confuse or seduce the faithful Christian. This, at least, was the opinion of the Protestant city councillors of Basel in 1542, when they briefly jailed a local printer for planning to publish a Latin translation of the Muslim holy book. The Protestant reformer Martin Luther intervened to salvage the project: there was no better way to combat the Turk, he wrote, than to expose the ‘lies of Muhammad’ for all to see.

The resulting publication in 1543 made the Quran available to European intellectuals, most of whom studied it in order to better understand and combat Islam. There were others, however, who used their reading of the Quran to question Christian doctrine. The Catalonian polymath and theologian Michael Servetus found numerous Quranic arguments to employ in his anti-Trinitarian tract, Christianismi Restitutio (1553), in which he called Muhammad a true reformer who preached a return to the pure monotheism that Christian theologians had corrupted by inventing the perverse and irrational doctrine of the Trinity. After publishing these heretical ideas, Servetus was condemned by the Catholic Inquisition in Vienne, and finally burned with his own books in Calvin’s Geneva.

During the European Enlightenment, a number of authors presented Muhammad in a similar vein, as an anticlerical hero; some saw Islam as a pure form of monotheism close to philosophic Deism and the Quran as a rational paean to the Creator. In 1734, George Sale published a new English translation. In his introduction, he traced the early history of Islam and idealised the Prophet as an iconoclastic, anticlerical reformer who had banished the ‘superstitious’ beliefs and practices of early Christians – the cult of the saints, holy relics – and quashed the power of a corrupt and avaricious clergy.

Sale’s translation of the Quran was widely read and appreciated in England: for many of his readers, Muhammad had become a symbol of anticlerical republicanism. It was influential outside England too. The US founding father Thomas Jefferson bought a copy from a bookseller in Williamsburg, Virginia, in 1765, which helped him conceive of a philosophical deism that surpassed confessional boundaries. (Jefferson’s copy, now in the Library of Congress, has been used for the swearing in of Muslim representatives to Congress, starting with Keith Ellison in 2007.) And in Germany, the Romantic Johann Wolfgang von Goethe read a translation of Sale’s version, which helped to colour his evolving notion of Muhammad as an inspired poet and archetypal prophet.

In France, Voltaire also cited Sale’s translation with admiration: in his world history Essai sur les mœurs et l’esprit des nations (1756), he portrayed Muhammad as an inspired reformer who abolished superstitious practices and eradicated the power of corrupt clergy. By the end of the century, the English Whig Edward Gibbon (an avid reader of both Sale and Voltaire) presented the Prophet in glowing terms in The History of the Decline and Fall of the Roman Empire (1776-89):

The creed of Mahomet is free from suspicion or ambiguity; and the Koran is a glorious testimony to the unity of God. The prophet of Mecca rejected the worship of idols and men, of stars and planets, on the rational principle that whatever rises must set, that whatever is born must die, that whatever is corruptible must decay and perish. In the author of the universe, his rational enthusiasm confessed and adored an infinite and eternal being, without form or place, without issue or similitude, present to our most secret thoughts, existing by the necessity of his own nature, and deriving from himself all moral and intellectual perfection … A philosophic theist might subscribe the popular creed of the Mahometans: a creed too sublime, perhaps, for our present faculties.

But it was Napoleon Bonaparte who took the Prophet most keenly to heart, styling himself a ‘new Muhammad’ after reading the French translation of the Quran that Claude-Étienne Savary produced in 1783. Savary wrote his translation in Egypt: there, surrounded by the music of the Arabic language, he sought to render into French the beauty of the Arabic text. Like Sale, Savary wrote a long introduction presenting Muhammad as a ‘great’ and ‘extraordinary’ man, a ‘genius’ on the battlefield, a man who knew how to inspire loyalty among his followers. Napoleon read this translation on the ship that took him to Egypt in 1798. Inspired by Savary’s portrait of the Prophet as a brilliant general and sage lawgiver, Napoleon sought to become a new Muhammad, and hoped that Cairo’s ulama (scholars) would accept him and his French soldiers as friends of Islam, come to liberate Egyptians from Ottoman tyranny. He even claimed that his own arrival in Egypt had been announced in the Quran.

Napoleon had an idealised, bookish, Enlightenment vision of Islam as pure monotheism: indeed, the failure of his Egyptian expedition owed partly to his idea of Islam being quite different from the religion of Cairo’s ulama. Yet Napoleon was not alone in seeing himself as a new Muhammad: Goethe enthusiastically proclaimed that the emperor was the ‘Mahomet der Welt’ (Muhammad of the world), and the French author Victor Hugo portrayed him as a ‘Mahomet d’occident’ (Muhammad of the West). Napoleon himself, at the end of his life, exiled on Saint Helena and ruminating on his defeat, wrote about Muhammad and defended his legacy as a ‘great man who changed the course of history’. Napoleon’s Muhammad, conqueror and lawgiver, persuasive and charismatic, resembles Napoleon himself – but a Napoleon who was more successful, and certainly never exiled to a cold windswept island in the South Atlantic.

The idea of Muhammad as one of the world’s great legislators persisted into the 20th century. Adolph A Weinman, a German-born American sculptor, depicted Muhammad in his 1935 frieze in the main chamber of the US Supreme Court, where the Prophet takes his place among 18 lawgivers. Various European Christians called on their churches to recognise Muhammad’s special role as prophet of the Muslims. For Catholics scholars of Islam such as Louis Massignon or Hans Küng, or for the Scottish Protestant scholar of Islam William Montgomery Watt, such recognition was the best way to promote peaceful, constructive dialogue between Christians and Muslims.

This kind of dialogue continues today, but it has been largely drowned out by the din of conflict, as extreme-Right politicians in Europe and elsewhere diabolise Muhammad to justify anti-Muslim policies. The Dutch politician Geert Wilders calls him a terrorist, paedophile and psychopath. The negative image of the Prophet is paradoxically promoted by fundamentalist Muslims who adulate him and reject all historical contextualisation of his life and teachings; meanwhile, violent extremists claim to defend Islam and its prophet from ‘insults’ through murder and terror. All the more reason, then, to step back and examine the diverse and often surprising Western portraits of the myriad faces of Muhammad.


Faces of Muhammad: Western Perceptions of the Prophet of Islam from the Middle Ages to Today by John Tolan is published via Princeton University Press.Aeon counter – do not remove

John Tolan

This article was originally published at Aeon and has been republished under Creative Commons. Read the original article here.

African Art in Western Museums: It’s Patrimony not Heritage

african-art

Detail from a 16th-century bronze plaque from Benin, West Africa, held at the British Museum, London. Courtesy the Trustees of the British Museum

Charlotte Joy | Aeon Ideas

Museums with colonial-era collections have always known about the brutal parts of their biographies. But, through acts of purification via historical distance, they have chosen to ignore them. Museum directors now have to re-think their position as defenders of their collections in light of a different political agenda that locates people and their patrimony in a precolonial, yet radically altered, landscape.

When learning about cultural heritage, you will be directed to the etymology of the words ‘heritage’ and ‘patrimony’. Whereas ‘heritage’ invokes inheritance, ‘patrimony’ leads us to patriarchy. In French, patrie refers to the homeland, the fatherland, and during colonialism vast swathes of West Africa were brought under this French conceptual model in the 19th and early 20th centuries. Objects taken from West Africa (the periphery) and brought back to the centre/metropole were therefore conceptualised as part of the coloniser’s national identity. They were used in a series of Great Exhibitions and expos to gain support for the colonial project before entering national and private collections throughout Europe.

The immediate paradox here is that, whereas objects from the periphery were welcome in the centre, people were very much not. Since the independence of West African countries throughout the late 1950s and early ’60s, the retention of objects and the simultaneous rejection of people has become ever more fraught. Young undocumented migrants from former French colonies stand metres away from the Musée du quai Branly – Jacques Chirac, a museum in Paris full of their inaccessible patrimony. The migrants are treated with contempt while the objects from their homelands are cared for in museums and treated with great reverence. The migrants will be deported but the objects will not be repatriated. The homeland is therefore only home to objects, not people.

Sub-Saharan Africa has a unique demographic profile. By 2050, it is projected that the region will be home to the 10 countries with the youngest populations in the world. Most Western leaders would like to see strong and stable states in West Africa, states that can provide their citizens with jobs, cultural pride and a reason for staying in their countries and building new futures. The return of objects from museums could become central to this nation-building, undoing some of the harm of the colonial project and supporting emerging creative economies.

The objects taken from West Africa during the colonial period indexed many things, most of them problematic and racist. Some objects acted as a catalyst for the creative work of Western artists, and consequently entered the artistic canon as prompts and props (seen in the background of artists’ studios such as that of Pablo Picasso). The objects that Picasso encountered at the Palais du Trocadéro in Paris were the impetus for his ‘African period’ at the beginning of the 20th century, which produced one of his most famous works, Les Demoiselles d’Avignon (1907).

Beyond the influence that non-European art had on many Western artists, some objects, such as the Benin Bronzes (looted by the British in 1897 from the Kingdom of Benin, in current-day Nigeria) entered global art history on their own merit, as unrivalled technological and artistic accomplishments. This recognition came about only after a difficult period of skepticism, when art historians expressed doubt that African artists could produce work of such sophistication.

Thus, the way in which African objects are held and displayed in Western museums can tell us a lot about the legacy of colonialism and the West’s ambivalent relationship towards its former colonies. But it cannot be said to provide generations of young people in sub-Saharan Africa with a rich cultural repository from which to draw.

Regardless of the politics of return, over the next few decades people born in sub-Saharan Africa will be brought up within a vibrant cultural milieu of art, photography, music and film. However, as colonialism was a humiliating experience for many formerly colonised people, it is not hard to see why regaining control over their patrimony would be a step towards the beginning of healing. The return of cultural objects would allow meaningful access to art and cultural knowledge that could fuel the creative economies of these young nations.

The acts of return in themselves are a symbol of strong contrition, re-opening the dialogue on past wrongs to better establish relationships for the future. It seems that behind proclamations of the complicated nature of the process of return lies this more difficult truth. Human remains have been returned from museums to be reburied with dignity. Nazi-looted art has been seized from unsuspecting collectors and returned to Jewish families. Now is the time for colonial patrimony to be reckoned with because patrimony indexes the biographies of those who made and acquired the objects, drawing their descendants into moral relationships in the present. It is now not a matter of if but when objects will be returned, and whether this happens with good grace or through a fractious period of resistance.

The museums’ ‘cosmopolitan’ defence, made for example by Tiffany Jenkins in Keeping Their Marbles (2016), is that only by juxtaposition in global centres can we truly make sense of global art and the experience of being human. This might be true to some extent but the juxtapositions in themselves are problematic: for example, the British Museum houses its Africa collections in the basement. Museums are also bursting at the seams, and what isn’t displayed is housed in vast stores. To date, the logic of the museum is not one of access and display but of acquisition and retention. The defenders of the museum’s patrimony, the trustees, are appointed on the understanding that their primary role is to protect collections for future generations, narrowly defined within the model of nation states. Perhaps if trustees of museums could rethink their role to include descendants of the colonised, as well as the colonisers, they could help reshape a heritage ethic that is alive to the challenges of global demographics.Aeon counter – do not remove

Charlotte Joy

This article was originally published at Aeon and has been republished under Creative Commons.

Between Gods and Animals: Becoming Human in the Gilgamesh Epic

Tablet_V_of_the_Epic_of_Gilgamesh

A newly discovered, partially broken, tablet V of the Epic of Gilgamesh. The tablet dates back to the old Babylonian period, 2003-1595 BCE. From Mesopotamia, Iraq. The Sulaymaniyah Museum, Iraq. Photograph by Osama Shukir Muhammed Amin. Wikimedia.


Sophus Helle | Aeon Ideas

The Epic of Gilgamesh is a Babylonian poem composed in ancient Iraq, millennia before Homer. It tells the story of Gilgamesh, king of the city of Uruk. To curb his restless and destructive energy, the gods create a friend for him, Enkidu, who grows up among the animals of the steppe. When Gilgamesh hears about this wild man, he orders that a woman named Shamhat be brought out to find him. Shamhat seduces Enkidu, and the two make love for six days and seven nights, transforming Enkidu from beast to man. His strength is diminished, but his intellect is expanded, and he becomes able to think and speak like a human being. Shamhat and Enkidu travel together to a camp of shepherds, where Enkidu learns the ways of humanity. Eventually, Enkidu goes to Uruk to confront Gilgamesh’s abuse of power, and the two heroes wrestle with one another, only to form a passionate friendship.

This, at least, is one version of Gilgamesh’s beginning, but in fact the epic went through a number of different editions. It began as a cycle of stories in the Sumerian language, which were then collected and translated into a single epic in the Akkadian language. The earliest version of the epic was written in a dialect called Old Babylonian, and this version was later revised and updated to create another version, in the Standard Babylonian dialect, which is the one that most readers will encounter today.

Not only does Gilgamesh exist in a number of different versions, each version is in turn made up of many different fragments. There is no single manuscript that carries the entire story from beginning to end. Rather, Gilgamesh has to be recreated from hundreds of clay tablets that have become fragmentary over millennia. The story comes to us as a tapestry of shards, pieced together by philologists to create a roughly coherent narrative (about four-fifths of the text have been recovered). The fragmentary state of the epic also means that it is constantly being updated, as archaeological excavations – or, all too often, illegal lootings – bring new tablets to light, making us reconsider our understanding of the text. Despite being more than 4,000 years old, the text remains in flux, changing and expanding with each new finding.

The newest discovery is a tiny fragment that had lain overlooked in the museum archive of Cornell University in New York, identified by Alexandra Kleinerman and Alhena Gadotti and published by Andrew George in 2018. At first, the fragment does not look like much: 16 broken lines, most of them already known from other manuscripts. But working on the text, George noticed something strange. The tablet seemed to preserve parts of both the Old Babylonian and the Standard Babylonian version, but in a sequence that didn’t fit the structure of the story as it had been understood until then.

The fragment is from the scene where Shamhat seduces Enkidu and has sex with him for a week. Before 2018, scholars believed that the scene existed in both an Old Babylonian and a Standard Babylonian version, which gave slightly different accounts of the same episode: Shamhat seduces Enkidu, they have sex for a week, and Shamhat invites Enkidu to Uruk. The two scenes are not identical, but the differences could be explained as a result of the editorial changes that led from the Old Babylonian to the Standard Babylonian version. However, the new fragment challenges this interpretation. One side of the tablet overlaps with the Standard Babylonian version, the other with the Old Babylonian version. In short, the two scenes cannot be different versions of the same episode: the story included two very similar episodes, one after the other.

According to George, both the Old Babylonian and the Standard Babylonian version ran thus: Shamhat seduces Enkidu, they have sex for a week, and Shamhat invites Enkidu to come to Uruk. The two of them then talk about Gilgamesh and his prophetic dreams. Then, it turns out, they had sex for another week, and Shamhat again invites Enkidu to Uruk.

Suddenly, Shamhat and Enkidu’s marathon of love had been doubled, a discovery that The Times publicised under the racy headline ‘Ancient Sex Saga Now Twice As Epic’. But in fact, there is a deeper significance to this discovery. The difference between the episodes can now be understood, not as editorial changes, but as psychological changes that Enkidu undergoes as he becomes human. The episodes represent two stages of the same narrative arc, giving us a surprising insight into what it meant to become human in the ancient world.

The first time that Shamhat invites Enkidu to Uruk, she describes Gilgamesh as a hero of great strength, comparing him to a wild bull. Enkidu replies that he will indeed come to Uruk, but not to befriend Gilgamesh: he will challenge him and usurp his power. Shamhat is dismayed, urging Enkidu to forget his plan, and instead describes the pleasures of city life: music, parties and beautiful women.

After they have sex for a second week, Shamhat invites Enkidu to Uruk again, but with a different emphasis. This time she dwells not on the king’s bullish strength, but on Uruk’s civic life: ‘Where men are engaged in labours of skill, you, too, like a true man, will make a place for yourself.’ Shamhat tells Enkidu that he is to integrate himself in society and find his place within a wider social fabric. Enkidu agrees: ‘the woman’s counsel struck home in his heart’.

It is clear that Enkidu has changed between the two scenes. The first week of sex might have given him the intellect to converse with Shamhat, but he still thinks in animal terms: he sees Gilgamesh as an alpha male to be challenged. After the second week, he has become ready to accept a different vision of society. Social life is not about raw strength and assertions of power, but also about communal duties and responsibility.

Placed in this gradual development, Enkidu’s first reaction becomes all the more interesting, as a kind of intermediary step on the way to humanity. In a nutshell, what we see here is a Babylonian poet looking at society through Enkidu’s still-feral eyes. It is a not-fully-human perspective on city life, which is seen as a place of power and pride rather than skill and cooperation.

What does this tell us? We learn two main things. First, that humanity for the Babylonians was defined through society. To be human was a distinctly social affair. And not just any kind of society: it was the social life of cities that made you a ‘true man’. Babylonian culture was, at heart, an urban culture. Cities such as Uruk, Babylon or Ur were the building blocks of civilisation, and the world outside the city walls was seen as a dangerous and uncultured wasteland.

Second, we learn that humanity is a sliding scale. After a week of sex, Enkidu has not become fully human. There is an intermediary stage, where he speaks like a human but thinks like an animal. Even after the second week, he still has to learn how to eat bread, drink beer and put on clothes. In short, becoming human is a step-by-step process, not an either/or binary.

In her second invitation to Uruk, Shamhat says: ‘I look at you, Enkidu, you are like a god, why with the animals do you range through the wild?’ Gods are here depicted as the opposite of animals, they are omnipotent and immortal, whereas animals are oblivious and destined to die. To be human is to be placed somewhere in the middle: not omnipotent, but capable of skilled labour; not immortal, but aware of one’s mortality.

In short, the new fragment reveals a vision of humanity as a process of maturation that unfolds between the animal and the divine. One is not simply born human: to be human, for the ancient Babylonians, involved finding a place for oneself within a wider field defined by society, gods and the animal world.Aeon counter – do not remove

Sophus Helle

This article was originally published at Aeon and has been republished under Creative Commons.

Should contemporary philosophers read Ockham? Or: what did history ever do for us?

If you are a historian of philosophy, you’ve probably encountered the question whether the stuff you’re working on is of any interest today. It’s the kind of question that awakens all the different souls in your breast at once. Your more enthusiastic self might think, “yes, totally”, while your methodological soul might shout, “anachronism ahead!” And your humbler part might think, “I don’t even understand it myself.” When exposed to this question, I often want to say many things at once, and out comes something garbled. But now I’d like to suggest that there is only one true reply to the main question in the title: “No, that’s the wrong kind of question to ask!” – But of course that’s not all there is to it. So please hear me out…

Read the rest at Handling Ideas, “a blog on (writing) philosophy”