The Meaning to Life? A Darwinian Existentialist has his Answers

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Michael Ruse | Aeon Ideas

I was raised as a Quaker, but around the age of 20 my faith faded. It would be easiest to say that this was because I took up philosophy – my lifelong occupation as a teacher and scholar. This is not true. More accurately, I joke that having had one headmaster in this life, I’ll be damned if I want another in the next. I was convinced back then that, by the age of 70, I would be getting back onside with the Powers That Be. But faith did not then return and, as I approach 80, is nowhere on the horizon. I feel more at peace with myself than ever before. It’s not that I don’t care about the meaning or purpose of life – I am a philosopher! Nor does my sense of peace mean that I am complacent or that I have delusions about my achievements and successes. Rather, I feel that deep contentment that religious people tell us is the gift or reward for proper living.

I come to my present state for two separate reasons. As a student of Charles Darwin, I am totally convinced – God or no God – that we are (as the 19th-century biologist Thomas Henry Huxley used to say) modified monkeys rather than modified mud. Culture is hugely important, but to ignore our biology is just wrong. Second, I am drawn, philosophically, to existentialism. A century after Darwin, Jean-Paul Sartre said that we are condemned to freedom, and I think he is right. Even if God does exist, He or She is irrelevant. The choices are ours.

Sartre denied such a thing as human nature. From this quintessential Frenchman, I take that with a pinch of salt: we are free, within the context of our Darwinian-created human nature. What am I talking about? A lot of philosophers today are uncomfortable even raising the idea of ‘human nature’. They feel that, too quickly, it is used against minorities – gay people, the disabled, and others – to suggest that they are not really human. This is a challenge not a refutation. If a definition of human nature cannot take account of the fact that up to 10 per cent of us have same-sex orientation, then the problem is not with human nature but with the definition.

What, then, is human nature? In the middle of the 20th century, it was popular to suggest that we are killer apes: we can and do make weapons, and we use them. But modern primatologists have little time for this. Their findings suggest that most apes would far rather fornicate than fight. In making war we are really not doing what comes naturally. I don’t deny that humans are violent, however our essence goes the other way. It is one of sociability. We are not that fast, we are not that strong, we are hopeless in bad weather; but we succeed because we work together. Indeed, our lack of natural weapons points that way. We cannot get all we want through violence. We must cooperate.

Darwinians did not discover this fact about our nature. Listen to the metaphysical poet John Donne in 1624:

No man is an island,
Entire of itself,
Every man is a piece of the continent,
A part of the main.
If a clod be washed away by the sea,
Europe is the less.
As well as if a promontory were.
As well as if a manor of thy friend’s
Or of thine own were:
Any man’s death diminishes me,
Because I am involved in mankind,
And therefore never send to know for whom the bell tolls;
It tolls for thee.

Darwinian evolutionary theory shows how this all came about, historically, through the forces of nature. It suggests that there is no eternal future or, if there is, it is not relevant for the here and now. Rather, we must live life to the full, within the context of – liberated by – our Darwinian-created human nature. I see three basic ways in which this occurs.

First, family. Humans are not like male orangutans whose home life is made up mainly of one-night stands. A male turns up, does his business, and then, sexually sated, vanishes. The impregnated female births and raises the children by herself. This is possible simply because she can. If she couldn’t then, biologically it would be in the interests of the males to lend a hand. Male birds help at the nest because, exposed as they are up trees, the chicks need to grow as quickly as possible. Humans face different challenges, but with the same end. We have big brains that need time to develop. Our young cannot fend for themselves within weeks or days. Therefore humans need lots of parental care, and our biology fits us for home life, as it were: spouses, offspring, parents, and more. Men don’t push the pram just by chance. Nor boast to their co-workers about their kid getting into Harvard.

Second, society. Co-workers, shop attendants, teachers, doctors, hotel clerks – the list is endless. Our evolutionary strength is that we work together, helping and expecting help. I am a teacher, not just of my children, but of yours (and others) too. You are a doctor: you give medical care not just to your children, but to mine (and others) too. In this way, we all benefit. As Adam Smith pointed out in 1776, none of this happens by chance or because nature has suddenly become soft: ‘It is not from the benevolence of the butcher, the brewer, or the baker that we expect our dinner, but from their regard to their own self-interest.’ Smith invoked the ‘invisible hand’. The Darwinian puts it down to evolution through natural selection.

Though life can be a drag sometimes, biology ensures that we generally get on with the job, and do it as part of our fulfilled lives. John Stuart Mill had it exactly right in 1863: ‘When people who are fairly fortunate in their material circumstances don’t find sufficient enjoyment to make life valuable to them, this is usually because they care for nobody but themselves.’

Third, culture. Works of art and entertainment, TV, movies, plays, novels, paintings and sport. Note how social it all is. Romeo and Juliet, about two kids in ill-fated love. The Sopranos, about a mob family. A Roy Lichtenstein faux-comic painting; a girl on the phone: ‘Oh, Jeff… I love you, too… but…’ England beating Australia at cricket. There are evolutionists who doubt that culture is so tightly bound to biology, and who are inclined to see it as a side-product of evolution, what Stephen Jay Gould in 1982 called an ‘exaptation’. This is surely true in part. But probably only in part. Darwin thought that culture might have something to do with sexual selection: protohumans using songs and melodies, say, to attract mates. Sherlock Holmes agreed; in A Study in Scarlet (1887), he tells Watson that musical ability predates speech, according to Darwin: ‘Perhaps that is why we are so subtly influenced by it. There are vague memories in our souls of those misty centuries when the world was in its childhood.’

Draw it together. I have had a full family life, a loving spouse and children. I even liked teenagers. I have been a college professor for 55 years. I have not always done the job as well as I could, but I am not lying when I say that Monday morning is my favourite time of the week. I’m not much of a creative artist, and I’m hopeless at sports. But I have done my scholarship and shared with others. Why else am I writing this? And I have enjoyed the work of fellow humans. A great performance of Mozart’s opera The Marriage of Figaro is heaven. I speak literally.

This is my meaning to life. When I meet my nonexistent God, I shall say to Him: ‘God, you gave me talents and it’s been a hell of a lot of fun using them. Thank you.’ I need no more. As George Meredith wrote in his poem ‘In the Woods’ (1870):

The lover of life knows his labour divine,
And therein is at peace.


A Meaning to Life (2019) by Michael Ruse is published via Princeton University Press.Aeon counter – do not remove

Michael Ruse is the Lucyle T Werkmeister Professor of Philosophy and director of the history and philosophy of science at Florida State University. He has written or edited more than 50 books, including most recently On Purpose (2017), Darwinism as Religion (2016), The Problem of War (2018) and A Meaning to Life (2019).

This article was originally published at Aeon and has been republished under Creative Commons. Read the original article here.

How Camus and Sartre Split Up Over the Question of How to be Free

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Albert Camus by Cecil Beaton for Vogue in 1946. Photo by Getty

Sam Dresser | Aeon Ideas

They were an odd pair. Albert Camus was French Algerian, a pied-noir born into poverty who effortlessly charmed with his Bogart-esque features. Jean-Paul Sartre, from the upper reaches of French society, was never mistaken for a handsome man. They met in Paris during the Occupation and grew closer after the Second World War. In those days, when the lights of the city were slowly turning back on, Camus was Sartre’s closest friend. ‘How we loved you then,’ Sartre later wrote.

They were gleaming icons of the era. Newspapers reported on their daily movements: Sartre holed up at Les Deux Magots, Camus the peripatetic of Paris. As the city began to rebuild, Sartre and Camus gave voice to the mood of the day. Europe had been immolated, but the ashes left by war created the space to imagine a new world. Readers looked to Sartre and Camus to articulate what that new world might look like. ‘We were,’ remembered the fellow philosopher Simone de Beauvoir, ‘to provide the postwar era with its ideology.’

It came in the form of existentialism. Sartre, Camus and their intellectual companions rejected religion, staged new and unnerving plays, challenged readers to live authentically, and wrote about the absurdity of the world – a world without purpose and without value. ‘[There are] only stones, flesh, stars, and those truths the hand can touch,’ Camus wrote. We must choose to live in this world and to project our own meaning and value onto it in order to make sense of it. This means that people are free and burdened by it, since with freedom there is a terrible, even debilitating, responsibility to live and act authentically.

If the idea of freedom bound Camus and Sartre philosophically, then the fight for justice united them politically. They were committed to confronting and curing injustice, and, in their eyes, no group of people was more unjustly treated than the workers, the proletariat. Camus and Sartre thought of them as shackled to their labour and shorn of their humanity. In order to free them, new political systems must be constructed.

In October 1951, Camus published The Rebel. In it, he gave voice to a roughly drawn ‘philosophy of revolt’. This wasn’t a philosophical system per se, but an amalgamation of philosophical and political ideas: every human is free, but freedom itself is relative; one must embrace limits, moderation, ‘calculated risk’; absolutes are anti-human. Most of all, Camus condemned revolutionary violence. Violence might be used in extreme circumstances (he supported the French war effort, after all) but the use of revolutionary violence to nudge history in the direction you desire is utopian, absolutist, and a betrayal of yourself.

‘Absolute freedom is the right of the strongest to dominate,’ Camus wrote, while ‘absolute justice is achieved by the suppression of all contradiction: therefore it destroys freedom.’ The conflict between justice and freedom required constant re-balancing, political moderation, an acceptance and celebration of that which limits the most: our humanity. ‘To live and let live,’ he said, ‘in order to create what we are.’

Sartre read The Rebel with disgust. As far as he was concerned, it was possible to achieve perfect justice and freedom – that described the achievement of communism. Under capitalism, and in poverty, workers could not be free. Their options were unpalatable and inhumane: to work a pitiless and alienating job, or to die. But by removing the oppressors and broadly returning autonomy to the workers, communism allows each individual to live without material want, and therefore to choose how best they can realise themselves. This makes them free, and through this unbending equality, it is also just.

The problem is that, for Sartre and many others on the Left, communism required revolutionary violence to achieve because the existing order must be smashed. Not all leftists, of course, endorsed such violence. This division between hardline and moderate leftists – broadly, between communists and socialists – was nothing new. The 1930s and early ’40s, however, had seen the Left temporarily united against fascism. With the destruction of fascism, the rupture between hardline leftists willing to condone violence and moderates who condemned it returned. This split was made all the more dramatic by the practical disappearance of the Right and the ascendancy of the Soviet Union – which empowered hardliners throughout Europe, but raised disquieting questions for communists as the horrors of gulags, terror and show trials came to light. The question for every leftist of the postwar era was simple: which side are you on?

With the publication of The Rebel, Camus declared for a peaceful socialism that would not resort to revolutionary violence. He was appalled by the stories emerging from the USSR: it was not a country of hand-in-hand communists, living freely, but a country with no freedom at all. Sartre, meanwhile, would fight for communism, and he was prepared to endorse violence to do so.

The split between the two friends was a media sensation. Les Temps Modernes – the journal edited by Sartre, which published a critical review of The Rebel – sold out three times over. Le Monde and L’Observateur both breathlessly covered the falling out. It’s hard to imagine an intellectual feud capturing that degree of public attention today, but, in this disagreement, many readers saw the political crises of the times reflected back at them. It was a way of seeing politics played out in the world of ideas, and a measure of the worth of ideas. If you are thoroughly committed to an idea, are you compelled to kill for it? What price for justice? What price for freedom?

Sartre’s position was shot through with contradiction, with which he struggled for the remainder of his life. Sartre, the existentialist, who said that humans are condemned to be free, was also Sartre, the Marxist, who thought that history does not allow much space for true freedom in the existential sense. Though he never actually joined the French Communist Party, he would continue to defend communism throughout Europe until 1956, when the Soviet tanks in Budapest convinced him, finally, that the USSR did not hold the way forward. (Indeed, he was dismayed by the Soviets in Hungary because they were acting like Americans, he said.) Sartre would remain a powerful voice on the Left throughout his life, and chose the French president Charles de Gaulle as his favourite whipping boy. (After one particularly vicious attack, de Gaulle was asked to arrest Sartre. ‘One does not imprison Voltaire,’ he responded.) Sartre remained unpredictable, however, and was engaged in a long, bizarre dalliance with hardline Maoism when he died in 1980. Though Sartre moved away from the USSR, he never completely abandoned the idea that revolutionary violence might be warranted.

Philosophy Feud: Sartre vs Camus from Aeon Video on Vimeo

The violence of communism sent Camus on a different trajectory. ‘Finally,’ he wrote in The Rebel, ‘I choose freedom. For even if justice is not realised, freedom maintains the power of protest against injustice and keeps communication open.’ From the other side of the Cold War, it is hard not to sympathise with Camus, and to wonder at the fervour with which Sartre remained a loyal communist. Camus’s embrace of sober political reality, of moral humility, of limits and fallible humanity, remains a message well-heeded today. Even the most venerable and worthy ideas need to be balanced against one another. Absolutism, and the impossible idealism it inspires, is a dangerous path forward – and the reason Europe lay in ashes, as Camus and Sartre struggled to envision a fairer and freer world.Aeon counter – do not remove

Sam Dresser

This article was originally published at Aeon and has been republished under Creative Commons.